Austro-Hungarian and Central European Furniture
from the 19th and the early 20th Century
Our offer focuses especially on two periods of cabinet making in
Central Europe. The first nineteenth century
style is "Biedermeier" covering
the furniture production of the first part of the 19th century in
Germany and Central Europe. This first Bourgeois furniture style
par excellence combines beauty, grace and functionalism. Inspired
by the greatest English furniture designers, but also heavily influenced
by French empire, it came into fashion during the Napoleonic War.
The pieces were designed for practical use and offer high comfort
and a homely feeling of coziness. Elegant proportions, the moderate
use of intarsia, or marquetry, and a preference for smooth surfaces
and (apart from mahogany) the lighter colors of native European
woods are the most typical characteristics of this style. Chests
of drawers, special desks and tables and specially designed, exquisite
pieces, such as sewing tables or music accessories are the most
favored items of this furniture style.
The
second period from the turn of the century on up to the late twenties
is that of Art Nouveau (or Secession
- szecesszio, Jugendstil and later the Art
Deco). It represents a different taste in creating interiors
among the middle class homes. These are the styles of daring experimenter
artists, and the rich upper middle class who wanted to own individually
styled pieces of unusual proportions, such as settees and bookcases.
Some have mother of pearl inlays, and marquetry characterizes very
often this highly sophisticated style at its best. Nevertheless,
this period exhibits a very high quality craftsmanship and strong
period flavor. The Viennese pieces, especially those produced by
the Wiener Werkstaette, are highly prized collector's items with
strong angular and cubistic forms, sometimes with geometric decoration.
The Hungarian pieces have a tendency to use organic forms of carvings
with floral patterns in the upholstery.
Hungarian
Paintings from the late 19th and the early 20th Century
Hungarian painting was an organic part of European painting. All
important stylistic trends of the nineteenth century as Biedermeier,
Romanticism, Realism and Plain air landscape painting
are represented. The important painters studied in Munich and in
Paris, (e.g. Szekely Bertalan, Than Mor, Madarasz Viktor, Benczur
Gyula, Szinnyei Merse Pal and Baron Laszlo Mednyanszky). Some,
like Mihaly Munkacsy or Laszlo Paal, gained world fame and were
even collected by the Vanderbilts and Wanamakers in the US. The
pictures are of high technical quality. This quality characterizes
the works of even the minor masters, such as A. Berkes, A. Neogrady,
Gy. Norkoczy. Vivid and bright color compositions are typical
of this national school, which had a preference for the internationally
popular peasant genre. Sunny landscapes of the summer countryside,
the "puszta" and the rolling wheat fields or meadows full with flowers
are often represented.
Beginning
with the turn of the century there was a rapid stylistic modernization
and all versions of art nouveau, impressionism,
post impressionism and expressionism came into fashion.
The embarrassment of riches produced an artistic "Golden Age of
Budapest" culture. Beside the great masters like Karoly Ferency, Istvan Csok, Bela Ivanyi Grunwald, Janos Vaszary, the master
of Parisian elegance and sophistication Jozsef Rippl-Ronai painted
masterpieces as sophisticated as the French masters. Some works
in our collection were painted by the disciples of these masters
(e.g A. Handmann, Janos Viski, Pal Friedl).The intensive
artistic contacts with Paris stimulated diverse stylistic experiments.
In particular the Hungarian students of Henry Matisse (Czobel,
Perlott-Csaba) produced works on a very high artistic level,
being at the same time genuinely modern and truly Hungarian in their
preference for the warm color-scheme, which remains a permanent
feature of this national school of painting. Even the minor masters
working between the two World Wars were faithful representatives
of this trend. The "Ecole de Budapest" of the twenties and late
thirties is just being discovered by the developing art market and
is an upcoming field for collectors.
Our
Gallery specializes in selling pictures from Hungary, offering a
broad stylistic range of the different styles, as well as promoting
the ever popular trend of plain air realism and post impressionism.
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